I have an intense memory of my first lengthy conversation with an artist (also a professor of fine art at my then home university of Leeds) about our respective experiences of bringing to light new work in art and in science. He spoke of his first experimental attempts to realize an original conception, of the confrontation of his ideas with the felt constraints of material—of paint and photographic print, of the necessary reformulation of the original concept, of the repeat of these frustrated assays not once but many times. I found that I could tell the story of almost any programme of scientific research I had experienced in almost precisely the same terms. Continue reading
It is time to shake off a widely believed but mistaken idea of what science is and how it interacts with human life in the round.
For a long time now it has been the habit of science writers to present their discipline as if it was the be-all and end-all of knowledge, and everything else follows in its wake. Particle physicists have written about their forthcoming ‘theory of everything’ as if it amounted to the final word on the nature of reality, the very ‘mind of God’…The same fundamental error is promoted by neuroscientists who, waxing lyrical over wonderful magnetic images of the living human brain, have declared or implied that all the functioning of the brain is about to be laid open, with no input from the arts and humanities required. Continue reading