Guest Post: The Magnitude of the Minutiae

God’s splendour is a tale that is told by the stars. Space itself speaks his story every day through the marvels of the heavens. His truth is on tour showing his skill in creation’s craftmanship. Each day gushes out its message to the next. Without a sound, without a word, without a voice being heard, yet all the world can see its story.

Psalm 19: 1-4[1]

I am repeatedly amazed how powerfully Continue reading

Creation: A Celebration

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© Sue Symons, and courtesy of the publisher Shepheard-Walwyn Publishers

In 2009, Sue Symons finished 7,000 hours of work on a series of illuminated and embroidered texts which celebrate the theme of creation. I was fortunate enough to catch sight of the original work at the Christian Resources Exhibition in May this year, and in the end I had to buy the book. I was supposed to be working on the Faraday Institute stand at the time, but the level of detail in the pictures made me want to pore over them. Continue reading

Worshipping God with Science: Beauty from the Earth

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Grossmünster in Zürich By Roland zh (Own work) [CC BY-SA 3.0], via Wikimedia Commons
 I’m always keeping my eye out for ways to bring science into a church context, and I recently found a new one in Switzerland. Two buildings in the centre of Zurich, the Grossmünster (great minster) and Fraumünster (women’s minster) are decorated with the most incredible stained glass, designed by the artists Marc Chagall, Augusto Giacometti and Sigmar Polke. I had already seen examples of scientific themes in stained glass, such as the windows by David Hunt in St Crispin’s, Braunstone, but some of Polke’s windows took this idea to a new level. Continue reading

Guest Post – Stranded: Life and death in the ocean

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Images © Ackroyd & Harvey

Do you go to an art exhibition to be soothed and delighted, or challenged and disturbed? Science uses highly creative approaches to investigate the natural world, but art can perhaps offer a deeper, more personal engagement. Continue reading

Looking East at Sunset

Wotjow, commons.wikimedia.org
Anticrepuscular rays, 2011. Wotjow, commons.wikimedia.org

I have written about science being creative, and here’s a great story along those lines: the poet and priest Gerard Manley Hopkins published in the scientific journal Nature*. Hopkins’ contribution to science took the form of two letters, A Curious Halo and Shadow-Beams in the East at Sunset, that were published in November 1882 and November 1883, based on observations he had made of the setting sun.

Hopkins did something most people don’t think of, and turned his back to the setting sun. What he saw was a series of rays that looked as if they were coming from the horizon at a point opposite the sun. This light-effect had already been observed by meteorologists, and is simply the shadows of clouds in front of the sun, cast from one horizon to the other. Perspective makes these shadows appear to be converging in the east, but they are in fact parallel. The technical name for them is ‘anticrepuscular rays’. Continue reading

Beauty, Science and Theology. Part 1: Perspectives on Beauty

This series of more extended posts sums up my recent work on beauty in science and theology, and is reproduced (with permission) from the BioLogos blog.

One thing I ask from the LORD, this only do I seek:that I may dwell in the house of the LORDAll the days of my life,to gaze on the beauty of the LORDand to seek him in his temple.

                                        Psalm 27: 4

I belong in the ranks of those who have cultivated the beauty that is the distinctive feature of scientific research.                                                                                                                                                                                                     Marie Curie[1]

All of the biologists I know are undeniable lovers of their objects of study…                                                                                                                  Konrad Lorenz[2]

Beauty in Science

Fluorescent image of Chlamydomonas algae showing location of Fa2p enzyme at the base of the cilia,. © Dr. Lynn Quarmby.

As a biologist, I am fascinated by the fluorescent-on-black images of cells, 3D rotations of protein structures, and cross-sections of colourful tissue samples that grace the covers of scientific journals. I have spent whole weeks staring down a microscope at the beautifully transparent bodies of developing fish embryos, and whenever possible I illustrate my written work with photographs of the natural world. I’m not alone. In the institute where I did my PhD we had a basement full of microscopes and imaging technology, and it was considered important to have beautiful images in your presentations—movies were even better. The journal Nature: Cell Biology always features striking images on its covers, and in an editorial these photographs were described as works of art in their own right. In fact, ‘scientific art’ has become a recognised genre, and displays of science-related images are increasingly popular in research institutes, museums, science festivals and other public spaces. Continue reading