I am a Bristol-based artist and printmaker, a lover of science and learning, and a Christian. Having a keen interest in nature, I use my work as a way to learn more about the complexity of its design and like to share my findings with other people through my images.
I started my exploration into the microscopic world by looking at the simple house fly. I wanted to make people stop and look at an everyday animal in a way they would normally never think of and the beauty and intricacy of its creation. Continue reading →
God’s splendour is a tale that is told by the stars. Space itself speaks his story every day through the marvels of the heavens. His truth is on tour showing his skill in creation’s craftmanship. Each day gushes out its message to the next. Without a sound, without a word, without a voice being heard, yet all the world can see its story.
In 2009, Sue Symons finished 7,000 hours of work on a series of illuminated and embroidered texts which celebrate the theme of creation. I was fortunate enough to catch sight of the original work at the Christian Resources Exhibition in May this year, and in the end I had to buy the book. I was supposed to be working on the Faraday Institute stand at the time, but the level of detail in the pictures made me want to pore over them. Continue reading →
I’m always keeping my eye out for ways to bring science into a church context, and I recently found a new one in Switzerland. Two buildings in the centre of Zurich, the Grossmünster (great minster) and Fraumünster (women’s minster) are decorated with the most incredible stained glass, designed by the artists Marc Chagall, Augusto Giacometti and Sigmar Polke. I had already seen examples of scientific themes in stained glass, such as the windows by David Hunt in St Crispin’s, Braunstone, but some of Polke’s windows took this idea to a new level. Continue reading →
Do you go to an art exhibition to be soothed and delighted, or challenged and disturbed? Science uses highly creative approaches to investigate the natural world, but art can perhaps offer a deeper, more personal engagement.Continue reading →
I have written about science being creative, and here’s a great story along those lines: the poet and priest Gerard Manley Hopkins published in the scientific journal Nature*. Hopkins’ contribution to science took the form of two letters, A Curious Halo and Shadow-Beams in the East at Sunset, that were published in November 1882 and November 1883, based on observations he had made of the setting sun.
Hopkins did something most people don’t think of, and turned his back to the setting sun. What he saw was a series of rays that looked as if they were coming from the horizon at a point opposite the sun. This light-effect had already been observed by meteorologists, and is simply the shadows of clouds in front of the sun, cast from one horizon to the other. Perspective makes these shadows appear to be converging in the east, but they are in fact parallel. The technical name for them is ‘anticrepuscular rays’. Continue reading →